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A very slim yellow shank with continuous bead-set pavé running up to a modest raised head. Designed to be worn in multiples rather than alone.

Five evenly spaced square collets sitting proud along the top half of a slim band. The gaps between the boxes are as much a part of the design as the stones.

Three equal round stones in square claw boxes on a slim plain band. Equal sizing rather than graduation gives it a more modern, less traditional feel than a standard trilogy.

A flower cluster in the grand tradition: one round brilliant at the centre encircled by ten proper stones set as petals — not halo melee, which is what gives the design its scale. The shoulders taper deliberately so the cluster reads even wider than it is.

Three graduated round brilliants sitting edge to edge, each on its own concealed micro-pavé halo — invisible face-up, doing its work only when the ring is seen from the side. The plain polished shank lets the three stones carry the whole design.

Two tiers of round brilliants run the full width of the finger, graduated so the largest sit dead centre and taper towards the shoulders — the trick that keeps a wide band elegant rather than heavy. Every claw is shared with the stone beside it, so there is less metal on show and light enters from the sides as well as the top.