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A purple centre stone in an ornate milgrain cathedral mount with the under-gallery fully paved, so light reaches the stone from beneath as well as above. The bezel-set side accents and beaded edges give it a distinctly antique register.

A bypass design that abandons symmetry on purpose — four substantial round brilliants set on the diagonal, each raised on its own bridge, while four slender pavé shanks sweep past one another underneath. The eye travels across the finger rather than settling in one place.

A rose gold halo ring sitting flush against a contrasting white pavé wedding band. Sold as a pair; the two-tone contrast is what makes the pairing read as intentional rather than mismatched.

A carved rose-blossom head with petals wrapping a single round stone, so the metalwork rather than the setting does the holding. Scattered pavé on the band keeps it from reading as a plain sculptural ring.

A round brilliant centre flanked by two pears pointing outward, which widens the head and draws the eye along the finger. The tall cathedral bridge lifts the whole head clear of the hand.